C H A R L O T T E _ V A N D E R _ B O R G H T
c h a r l o t t e . v a n d e r . b o r g h t . 1 @ g m a i l . c o m
Exhibition view of Des choses vraies qui font semblant d’être des faux-semblants, curated by Michel François, Centre Wallonie-Bruxelles, Paris, FR, 2020
SPACE, 2020, Steel, galvanized steel, PVC, micro perforated vinyl, 363 x 240 x 212 cm (143 x 94 1/2 x 83 1/2 inches)
SPACE, 2020, Steel, galvanized steel, PVC, micro perforated vinyl, 372 x 245 x 252 cm ( 146 1/2 x 96 1/2 x 99 1/4 inches)
Exhibition view of The Secret Life of Lobsters, CLEARING, Knokke, BE, 2020
MASS II, 2020, Painted aluminium, metal, 66 3/4 x 47 x 22 inches (169.5 x 119 x 55 cm)
MASS II, 2020, Painted aluminium, metal, 66 3/4 x 47 x 22 inches (169.5 x 119 x 55 cm)
MASS I, 2020, Painted aluminium, metal, 66 x 32 1/4 x 47 inches (168 x 82 x 119 cm)
MASS I, 2020, Painted aluminium, metal, 66 x 32 1/4 x 47 inches (168 x 82 x 119 cm)
MASS IV, 2020, Painted aluminium, metal, 117 x 98 3/8 x 71 inches (297 x 250 x 180 cm)
MASS IV, 2020, Painted aluminium, metal, 117 x 98 3/8 x 71 inches (297 x 250 x 180 cm)
MASS III, 2020, Painted aluminium, metal, 92 3/4 x 24 3/4 x 40 1/2 inches (235.5 x 63 x 103 cm)
MASS III, 2020, Painted aluminium, metal, 92 3/4 x 24 3/4 x 40 1/2 inches (235.5 x 63 x 103 cm)
MASS (Apples), 2020, Aluminium, micro perforated vinyl,109 x 50 x 60 cm ( 43 x 19 3/4 x 23 5/8 inches)
MASS (Apples), 2020, Aluminium, micro perforated vinyl, 47.5 x 45.5 x 49.5 cm (18 3/4 x 18 x 19 1/2 inches)
MASS (Apples), 2020, Aluminium, micro perforated vinyl, 46 x 50 x 34 cm (18 1/8 x 19 3/4 x 13 1/2 inches)
MASS (Apples), 2020, Aluminium, micro perforated vinyl, 39.5 x 46 x 46 cm (15 3/4 x 18 1/8 x 18 1/8 inches)
Exhibition view of Still Life, CLEARING, New York, USA, 2020
2020, 2020, Pencil on paper, framed, 14 3/8 x 17 1/2 inches (36.6 x 44.3 cm)
2020, 2020, Pencil on paper, framed, 14 3/8 x 17 1/2 inches (36.6 x 44.3 cm)
2020, 2020, Pencil on paper, framed, 14 3/8 x 17 1/2 inches (36.6 x 44.3 cm)
Exhibition view of Still Life, CLEARING, New York, USA, 2020
2020, 2020, Pencil on paper, framed, 14 3/8 x 17 1/2 inches (36.6 x 44.3 cm)
2020, 2020, Pencil on paper, framed, 14 3/8 x 17 1/2 inches (36.6 x 44.3 cm)
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
Space, 2020, print on micro-perforated vinyl, 262 x 233 cm
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
MASS, 2020 painted aluminium, 268.4 x 60 x 60 cm
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
MASS, 2020, painted aluminium, 175 x 236 x 60 cm
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
MASS, 2020, painted aluminium, metal, 181.7 x 117 x 23 cm
With Holding Breath by Felix Kindermann, 2020, Bronze
Exhibition view of Fried Patterns, curated by Tenzing Barshee, Brussels Gallery Weekend, BE, 2019
Exhibition view of Fried Patterns, curated by Tenzing Barshee, Brussels Gallery Weekend, BE, 2019
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
The Liquid song of the birds, 2019, carved polyurethane foam, fiberglass resin, aqua resin and pigments
Negotiable, passable, crossable, traversable, 2019, print on honeycomb cardboard, vinyl (197 x 125 X 1.7 cm)
Negotiable, passable, crossable, traversable, 2019, print on honeycomb cardboard, vinyl (197 x 125 X 1.7 cm)
Untitled (Tuesday), 2019, polyurethane foam, fiberglass resin, aqua resin
Exhibition view of Dog Days, CLEARING, New York, USA, 2019
Untitled (Thursday), 2019, polyurethane foam, fiberglass resin, aqua resin
Untitled (Sunday), 2019, polyurethane foam, fiberglass resin, aqua resin
Untitled (Monday), 2019, polyurethane foam, fiberglass resin, aqua resin
Untitled (Monday), 2019, polyurethane foam, fiberglass resin, aqua resin
Exhibition view of Dog Days, CLEARING, New York, USA, 2019
Exhibition view of Dog Days, CLEARING, New York, USA, 2019
Exhibition view of Le Figurant, Window, Brussels, BE
Le Figurant, 2019, carved polyurethane foam, metal, resin, paint
Le Figurant, 2019, carved polyurethane foam, metal, resin, paint
Exhibition view of Present, Van Buuren Museum, Brussels, BE, 2018
Le Fou du Roi, 2018, foam, polyester, epoxy clay, paint
Exhibition view of Pastiche with Nina-Joy Thielemans, Dieter Durinck, Onbekende Kunstenaar, Orlando Gruwez, Paquita Gallegos and Tim Onderbeke, BLANCO, Gent, BE, 2019
Janthinidae (sandy soil), 2017, cardboard, epoxy, clay, oil paint
Exhibition view of CHAMBRES with Carlotta Bailly Borg, curated by Michel François, Island, Bruxelles, BE
Assise, 2019, polyurethane foam, fiberglass resin, jesmonite
Exhibition view of CHAMBRES with Carlotta Bailly Borg, curated by Michel François, Island, Bruxelles, BE
Exhibition view of CHAMBRES with Carlotta Bailly Borg, curated by Michel François, Island, Bruxelles, BE
Out of tune, 2019, polyurethane foam, resin clay, fiberglass resin and paint
Photograph for Bunk Club publication
Photograph for Bunk Club publication
Bunk Club zine
Exhibition poster for Fly trap, WIELS, 2017
Exhibition view of Fly trap, WIELS, Brussels, BE, 2017
Aporrhaidae (synthetic field), 2017, cardboard, epoxy, clay, oil paint
Aporrhaidae (synthetic field), 2017, cardboard, epoxy, clay, oil paint
Janthinidae (sandy soil), 2017, cardboard, epoxy, clay, oil paint
Janthinidae (sandy soil), 2017, cardboard, epoxy, clay, oil paint
Venerupis dura (pistils jelly), 2017, cardboard, epoxy, clay, oil paint
Elsewhere, 2017, metal, foam, wood, resin, paint, silicone, LED
Milk, 2016, cardboard, wax, resin, pigment
Milk, 2015, cardboard, wax, resin, pigment
Installation view of Open, Alimentation générale, After Howl, Brussels, BE, 2017
Hello Morning Hello, 2017, cardboard, acrylic paint, varnish, wax, resin, pigment
A text by Margaux Schwarz
Installation view of Open, Alimentation générale, After Howl, Brussels, BE, 2017
Charlotte aux fraises, 2017, cardboard, polyester, acrylic, oil paint
The Cats Will Know, 2017, cardboard, wax, resin, plastic, pigment
A knife in a fridge, 2013, done by hand, vaseline, wax, steel knife
Exhibition view of Sleeping Beauty, Le Cabanon, Gent, BE, 2015
Untitled, 2015, steel (8m high), ceramic, lamp 2000W